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You are here: Home / Art History / Alfred Frankowski, “The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning” (Lexington Press, 2015)

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Alfred Frankowski, “The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning” (Lexington Press, 2015)

Via http://newbooksnetwork.com/alfred-frankowski-the-post-racial-limits-of-memorialization-towards-a-political-sense-of-mourning-lexington-press-2015/

Famous and not so popular African-American artists have exquisitely shared representations of historical and contemporary occasions and individuals, cultural viewpoints, and the experiences and battles of minorities through their artwork. This post highlights the pivotal work of Black artists who helped to bring African-American experiences into the elite art world. The art records modern and historic experiences. Some art captures race and gender relations. Black magics as a movement speaks straight to the requirements and goals of Black America. The Black artist speaks with the cultural and spiritual needs of Black individuals in their artistry.

African-American arts represent a cultural movement. It includes numerous visual artists, performance artists, carvers, authors, artists, and more. The practitioners of Black arts are encouraged by a desire to challenge white class structure and assert an African American cultural identity. Black arts intend to serve the community and artists.

How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski, an Assistant Professor of Philosophy at Northeastern…

Black artists highlight racial pride, an appreciation of African heritage, and a commitment to produce works that show the culture and experiences of black individuals. In each era, events of the day galvanize black artists to create, organize, and change the world.

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