Via http://newbooksnetwork.com/quincy-t-mills-cutting-along-the-color-line-black-barbers-and-barber-shops-in-america-upenn-press-2013/

Famous and not so well-known African-American artists have actually exquisitely shared representations of historic and contemporary occasions and people, cultural point of views, and the experiences and struggles of minorities through their art work. This post highlights the critical work of Black artists who assisted to bring African-American experiences into the elite art world. The art captures contemporary and historical experiences. Some art captures race and gender relations. Black magics as a motion speaks straight to the requirements and aspirations of Black America. The Black artist talks to the spiritual and cultural requirements of Black people in their artistry.

African-American arts represent a cultural motion. It includes numerous visual artists, performance artists, carvers, writers, musicians, and more. The professionals of Black arts are encouraged by a desire to confront white power structures and assert an African American cultural identity. Black magics intend to serve the neighborhood and artists.

Business. Community. Politics. That’s the making of a barbershop. In Cutting Along the Color Lines: Black Barbers and Barber Shops in America (University of Pennsylvania Press, 2013), Dr. Quincy Mills chronicles the history of black barber shops as businesses…

Black artists stress racial pride, a gratitude of African heritage, and a dedication to produce works that reflect the culture and experiences of black people. In each period, events of the day galvanize black artists to develop, arrange, and transform the world.

Via http://www.blackartists.org.uk/archives/873

Famous and not so well-known African-American artists have remarkably shared representations of contemporary and historic people and events, cultural perspectives, and the experiences and struggles of minorities through their artwork. This post highlights the essential work of Black artists who helped to bring African-American experiences into the elite art world. The art catches historical and modern experiences. Some art records race and gender relations. Black Arts as a movement speaks directly to the requirements and aspirations of Black America. The Black artist talks to the cultural and spiritual needs of Black people in their artistry.

The specialists of Black arts are encouraged by a desire to confront white power structures and assert an African American cultural identity. Black arts intend to serve the neighborhood and artists.

BLACKNESS IN BRITAIN

An interdisciplinary Black Studies conference

Thursday 12th September 2013

9.30-17.30

Newman University, Birmingham

People of African ancestry have a long history and tradition in the United Kingdom. This history has been hallmarked by a number of struggles for recognition and against discrimination. In the present context of global uncertainty, and the reshaping of the British welfare state, as well as the UK’s attempts to reposition itself in relation to Europe, it is essential that we examine the place of the Black population and the challenges that lie ahead in the future.

Academia should play a central role in researching and entering into the necessary debates about the future of Black Britain, however our voices have largely been marginalised within the British academy. The aim of this conference is to bring together academics who are engaged in the essential work of researching the past, present and future condition of the Black population in Britain. We also hope that this will be the first conference of many and aim to build a network of Black academics in the UK.

Confirmed keynotes for the conference are:

• Dr Tracey Reynolds, London South Bank University
• Dr Robert Beckford, Canterbury Christ Church University
• Dr Anthony Reddie, Aston University

We received an overwhelming response to the call for papers and would like to thank everyone who sent in an abstract. We are currently working on the conference programme, which will be available shortly

There are now a limited number of spaces available for the conference. If you would like to attend please fill in the registration form below and return tok.allen@newman.ac.uk as soon as possible.

http://www.newman.ac.uk/media-centre/3452/blackness-in-britain

Black artists stress racial pride, a gratitude of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each period, occasions of the day galvanize black artists to produce, arrange, and change the world.

Via http://www.blackenterprise.com/photos/top-20-black-enterprise-stories-of-2015/

Famous and not so well-known African-American artists have actually exceptionally shared representations of modern and historic individuals and events, cultural perspectives, and the experiences and battles of minorities through their artwork. This post highlights the essential work of Black artists who assisted to bring African-American experiences into the elite art world. The art catches modern and historic experiences. Some art captures race and gender relations. Witchcrafts as a movement speaks straight to the requirements and aspirations of Black America. The Black artist talks to the spiritual and cultural needs of Black people in their artistry.

The professionals of Black arts are motivated by a desire to confront white power structures and assert an African American cultural identity. Black arts intend to serve the neighborhood and artists.

Black artists highlight racial pride, a gratitude of African heritage, and a commitment to produce works that reflect the culture and experiences of black individuals. In each age, events of the day galvanize black artists to develop, arrange, and change the world.