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You are here: Home / Art History / Philip A. Wallach, “To The Edge: Legality, Legitimacy, and the Responses to the 2008 Financial Crisis” (Brookings, 2015)

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Philip A. Wallach, “To The Edge: Legality, Legitimacy, and the Responses to the 2008 Financial Crisis” (Brookings, 2015)

Via http://newbooksnetwork.com/phillip-a-wallach-to-the-edge-legality-legitimacy-and-the-responses-to-the-2008-financial-crisis-brookings-2015/

Famous and not so popular African-American artists have exquisitely shared representations of contemporary and historic people and events, cultural viewpoints, and the experiences and struggles of minorities through their art work. This article highlights the pivotal work of Black artists who assisted to bring African-American experiences into the elite art world. The art catches contemporary and historical experiences. Some art captures race and gender relations. Black magics as a motion speaks straight to the needs and aspirations of Black America. The Black artist talks to the cultural and spiritual needs of Black individuals in their artistry.

African-American arts represent a cultural motion. It includes many visual artists, performance artists, sculptors, authors, musicians, and more. The specialists of Black arts are inspired by a desire to face white class structure and assert an African American cultural identity. Black arts aim to serve the neighborhood and artists.

Philip A. Wallach is the author of To The Edge: Legality, Legitimacy, and the Responses to the 2008 Financial Crisis (Brookings Institution Press, 2015). Wallach is a fellow in Governance Studies at the Brookings Institution.
There has been a lot…

Black artists highlight racial pride, a gratitude of African heritage, and a commitment to produce works that reflect the culture and experiences of black individuals. In each period, occasions of the day galvanize black artists to create, arrange, and transform the world.

Filed Under: Art History

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