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You are here: Home / Art History / Susan Greenbaum, “Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty” (Rutgers UP, 2015)

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Susan Greenbaum, “Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty” (Rutgers UP, 2015)

Via http://newbooksnetwork.com/susan-greenbaum-blaming-the-poor-the-long-shadow-of-the-moynihan-report-on-cruel-images-about-poverty-rutgers-up-2015/

Famous and not so popular African-American artists have exquisitely shared portrayals of modern and historical individuals and occasions, cultural perspectives, and the experiences and struggles of minorities through their artwork. This post highlights the pivotal work of Black artists who assisted to bring African-American experiences into the elite art world. The art captures modern and historical experiences. Some art records race and gender relations. Witchcrafts as a motion speaks directly to the requirements and aspirations of Black America. The Black artist speaks with the cultural and spiritual requirements of Black people in their artistry.

African-American arts represent a cultural motion. It includes many visual artists, efficiency artists, sculptors, authors, musicians, and more. The practitioners of Black arts are inspired by a desire to confront white class structure and assert an African American cultural identity. Black arts aim to serve the neighborhood and artists.

Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with Susan Greenbaum about her new book, Blaming the Poor: The Long Shadow of the Moynihan …

Black artists emphasize racial pride, a gratitude of African heritage, and a commitment to produce works that show the culture and experiences of black individuals. In each age, events of the day galvanize black artists to develop, arrange, and transform the world.

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