Via http://newbooksnetwork.com/patrick-phillips-blood-at-the-root-a-racial-cleansing-in-america-w-w-norton-2016-2/

This article highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a movement speaks straight to the requirements and goals of Black America. The Black artist speaks to the spiritual and cultural needs of Black people in their artistry.

African-American arts represent a cultural motion. It consists of many visual artists, efficiency artists, sculptors, authors, musicians, and more. The professionals of Black arts are motivated by a desire to confront white power structures and assert an African American cultural identity. Black magics intend to serve the community and artists.

This episode of New Books in African American Studies covers Patrick Phillips’ powerful new book Blood at the Root: A Racial Cleansing in America (W.W. Norton and Company, 2016)
At the turn of the twentieth century, Forsyth County in Georgia,…

Black artists highlight racial pride, an appreciation of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each age, events of the day galvanize black artists to produce, arrange, and transform the world.

Via http://losangeles.cbslocal.com/2013/07/15/explore-the-art-and-culture-of-the-california-african-american-museum/

This post highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a motion speaks directly to the requirements and goals of Black America. The Black artist speaks to the cultural and spiritual needs of Black individuals in their artistry.

The professionals of Black arts are motivated by a desire to confront white power structures and assert an African American cultural identity. Black arts intend to serve the neighborhood and artists.

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By Deb Flomberg

Credit, Courtesy California African American Museum

For more than 30 years, the California African American Museum has been offering an educational home to the many people dedicated to the research, preservation and interpretation of the history, art and culture of African Americans. This museum encompasses all African American contributions in the United States, with a focus on California and the west. With 28 years in its own beautiful building, complete with many recent renovations, the California African American Museum is a crucial part of the cultural landscape of California, and a must-see museum and cultural destination. 

The California African American Museum features a constantly rotating schedule of exhibits, so you will want to return to visit again and again. Explore the amazing photography of Roberto Chile from his time in Guanabacoa, Cuba and learn about the Trans-Atlantic Slave Trade that went through South America and the Caribbean. Or view the impressive artwork of internationally renowned artist Manuel Mendive, a recognized master of contemporary art.

In an exciting collaboration, the California African American Museum is working with The Loft at Liz’s to showcase and introduce many local African American artists. The exhibition is called Diverted Destruction and it features artwork created from cast-off objects and trash. This exciting collaboration is the very first time that the museum has collaborated with a private gallery and will be showcasing these impressive works at The Loft at Liz’s.

Whether you stay at the California African American Museum or travel to the Loft at Liz’s for the new art show, you’ll want to be traveling in style. Head out in your 2013 CL63 AMG Coupe from Mercedes-Benz of Encino. You’ll be traveling in style as you head to your destination(s.) Plus, you’ll be thrilled to enjoy such a luxurious ride, perfect for a fun day of education and exploration with a few friends or family members.  

Deb Flomberg grew up in the mountains, developed a love for the beach and has found happiness on the open road. She is now a freelance writer, theater professional and travel enthusiast happy to be writing about the things she loves most.

This is a “sponsored post,” meaning the company who sponsored the article compensated me for writing the article. The opinions I have expressed, however, are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

Black artists highlight racial pride, an appreciation of African heritage, and a dedication to produce works that reflect the culture and experiences of black individuals. In each era, occasions of the day galvanize black artists to produce, organize, and transform the world.

Via http://www.blackartists.org.uk/archives/866

Famous and not so well-known African-American artists have actually remarkably shared representations of historic and contemporary events and individuals, cultural point of views, and the experiences and battles of minorities through their art work. This article highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. The art catches modern and historical experiences. Some art catches race and gender relations. Witchcrafts as a motion speaks directly to the needs and aspirations of Black America. The Black artist speaks to the cultural and spiritual requirements of Black individuals in their artistry.

The practitioners of Black arts are inspired by a desire to confront white power structures and assert an African American cultural identity. Black arts intend to serve the community and artists.

RRP £8.99 Publisher: Bloodaxe Books ISBN-10: 1852249609

Hannah’s Lowe’s first poetry collection focuses mainly on the intriguing figure of her father, who was of Chinese and Jamaican heritage. This heritage is strikingly captured in the poem ‘Three Treasures’, which variously pictures ‘Jamaica…in a dark blue trunk’, ‘England downstairs in a rocking chair’ and ‘China in the won-ton skin,/gold songbird on the brittle porcelain’ (p.46). Succinct, precise and evocative, such images typify Lowe’s technique in evoking particular places. A number of poems document her father’s night-time gambling, giving a tender yet uncompromising sense of a life hampered by poverty. One of the real virtues of the collection is her ability to convey this poverty by suggestive details (’ironing cellophane’; ‘a hump of blankets in the purple light’; ‘a ring of phlegmy men’) which she allows to speak for themselves. The poems also beckon towards the memory of people associated with her father; she is alert to a sense of companionship in her father’s gambling. In ‘Chick’, men ‘with yellow eyes and meaty skin’ place an ace of hearts across his coffin (p.9). Throughout the collection, then, the poet admirably walks the tightrope between observation and sentiment.

Some of the most moving poems of the collection chronicle her father’s illness, hospitalisation and eventual death. These poems do not deny the unpleasantness of the dying process. ‘No dignity in this’, she writes in a poem called ‘Six Days in March’, where her father appears on the stairs as an ‘old child in tears’ (p.62). The business of daily life intrudes on his death, a drama which is accompanied by constant rings on the doorbell and smoking relatives (’Fishes’, p.59). Nevertheless, the poem ‘Fishes’ transcends the mundane, transforming her father’s experience of dying as though to acknowledge his legacy and ongoing existence. The poem gradually expands into a form of seascape: ‘I see your brain cells… / a thousand small fishes, crossing the ocean’ (p.59). The image is a rich one, inverting the process of conception where teaming shoals of fish resemble millions of sperm seeking an egg. But the phrase ‘crossing the ocean’ also suggests migration and diaspora, implying a spiritual return to origins as much as entry into the underworld. Ultimately the process of dying is conveyed as anything but final as the energy of braincells morph into new forms.

The poems begin in the East End of London but end on a holiday beach. ‘The Day’ is the final poem of the collection. In many senses it accords with a growing number of contemporary English poems that are currently explore the presence of black people in the English countryside. In this poem, the speaker’s black father figures as a self-conscious outsider. He participates in the children’s games, burying the speaker ‘deep in the cold wet sand’. Yet at the same time he is remote, the sole black person on the beach. He is even bothered by his daughter: ‘We couldn’t catch the eye of the black man / Watching on the pier’ (p.70). Later, he tells the children about the ‘chalk man’ which ‘loomed’ large on the hill above them, the ‘effigy’ of the Saxons which indicates permanence: ‘more fixed than named in sand’. As if to emphasise his sense of estrangement from the seaside setting, he writes his own name in the sand but it disappears even before he has left the beach. So while he shows familiarity with Saxon history and, though his stance on the pier suggests his connection to the sea and multiple voyages across it, the poem is inflected with a sense of ‘lost, forgotten things’ (p.71).

This is a very accomplished first collection which is well worth reading. The poems explores the larger-than-life figure through the eyes both of a child and the restrained yet rich retrospective view of an adult. A recommended read.

Dr. Corinne Fowler, Lecturer in Postcolonial Literature, School of English, University of Leicester

Black artists highlight racial pride, a gratitude of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each era, events of the day galvanize black artists to create, organize, and transform the world.

Via http://www.blackenterprise.com/news/2015-democratic-debate-recap/

Famous and not so well-known African-American artists have remarkably shared portrayals of modern and historical occasions and people, cultural viewpoints, and the experiences and struggles of minorities through their art work. This article highlights the pivotal work of Black artists who helped to bring African-American experiences into the elite art world. The art records historic and contemporary experiences. Some art records race and gender relations. Black magics as a movement speaks directly to the needs and aspirations of Black America. The Black artist speaks with the spiritual and cultural needs of Black individuals in their artistry.

African-American arts represent a cultural movement. It includes numerous visual artists, efficiency artists, carvers, writers, musicians, and more. The practitioners of Black arts are encouraged by a desire to challenge white power structures and assert an African American cultural identity. Black arts aim to serve the community and artists.

Black artists emphasize racial pride, a gratitude of African heritage, and a dedication to produce works that reflect the culture and experiences of black individuals. In each age, events of the day galvanize black artists to develop, arrange, and change the world.

Via http://www.blackenterprise.com/lifestyle/halloween-eve-2016-at-black-enterprise/

Famous and not so well-known African-American artists have actually exquisitely shared representations of historic and modern events and individuals, cultural point of views, and the experiences and battles of minorities through their artwork. This post highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. The art catches historic and modern experiences. Some art captures race and gender relations. Witchcrafts as a motion speaks directly to the needs and goals of Black America. The Black artist speaks to the spiritual and cultural requirements of Black individuals in their artistry.

The professionals of Black arts are inspired by a desire to challenge white power structures and assert an African American cultural identity. Black arts intend to serve the community and artists.

Black artists highlight racial pride, an appreciation of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each age, occasions of the day galvanize black artists to create, arrange, and change the world.

Via http://www.artmarketmonitor.com/2012/02/13/elizabeth-catlett-moves-into-the-light/

This short article highlights the essential work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a motion speaks straight to the requirements and goals of Black America. The Black artist speaks to the spiritual and cultural requirements of Black people in their artistry.

African-American arts represent a cultural motion. It includes many visual artists, efficiency artists, sculptors, authors, musicians, and more. The professionals of Black arts are inspired by a desire to face white power structures and assert an African American cultural identity. Witchcrafts aim to serve the neighborhood and artists.

[audio:http://www.artmarketmonitor.com/wp-content/uploads/2012/02/Elizabeth-Catlett-on-NPR.mp3|titles=Elizabeth Catlett on NPR] NPR profiles Elizabeth Catlett whose work has become increasingly visible and influential. Her work has also become more valuable as it has been re-discovered. Part of the neglect comes from her decision to move to Mexcio and become an citizen. But that’s hardly the real reason: “I, as an artist, a black […]

Black artists emphasize racial pride, an appreciation of African heritage, and a commitment to produce works that reflect the culture and experiences of black individuals. In each period, events of the day galvanize black artists to create, arrange, and change the world.