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You are here: Home / Art History / Carol McCabe Booker, ed. “Alone Atop the Hill: The Autobiography of Alice Dunnigan” (U. of Georgia Press, 2015)

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Carol McCabe Booker, ed. “Alone Atop the Hill: The Autobiography of Alice Dunnigan” (U. of Georgia Press, 2015)

Via http://newbooksnetwork.com/carol-mccabe-booker-ed-alone-atop-the-hill-the-autobiography-of-alice-dunnigan-u-of-georgia-press-2015/

Famous and not so popular African-American artists have actually remarkably shared portrayals of historic and contemporary people and occasions, cultural viewpoints, and the experiences and struggles of minorities through their art work. This article highlights the essential work of Black artists who helped to bring African-American experiences into the elite art world. The art captures historical and modern experiences. Some art captures race and gender relations. Witchcrafts as a movement speaks straight to the requirements and goals of Black America. The Black artist speaks to the spiritual and cultural requirements of Black people in their artistry.

The practitioners of Black arts are motivated by a desire to confront white power structures and assert an African American cultural identity. Black arts aim to serve the neighborhood and artists.

Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars, and reported…

Black artists highlight racial pride, a gratitude of African heritage, and a dedication to produce works that show the culture and experiences of black individuals. In each period, events of the day galvanize black artists to develop, arrange, and transform the world.

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