We love this useful film short on Black culture
within the arts !
Learn more: http://bit.ly/1c4rLB5
With the introduction of the latest fine art inkjet papers and in particular, ILFORD’s new Gold Mono Silk Paper, black & white print ing on today’s inkjet printers has taken a great leap in quality.
To get the best results from these prints, you need to understand the tools available for converting full color captures into gray-scale images, understand how to adjust tonal distribution in an image and decide which type of paper will do the best job in conveying both the dynamic qualities of the photograph and the intended mood.
Join host Joe Brady in this free webinar sponsored by ILFORD as the workflow and techniques from capture to edit to print are discussed and explored. If you are a fan of B&W images or interested in getting started, this presentation will be time well spent.
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What did you think? Tell us. Share your thoughts in the comments below ! We appreciate it.
Great video, Thanks
Advertisement alert! Those are fake "questions" Total fraud.
don't watch this. It is dull, amateur and you already know all the info
what size are those prints? done on 2880?
WOW! My BS meter pegged the needle two minutes into this truly uninformed video.
Bye!
Why not try Ilford MGFB IV or WarmTone? Why not try Adox MCC 110 toned with LegacyPro Sepia? Or, try Fomabrom VC FB Variant 111? Oh, that means you need to learn photography and darkroom printing rather than pushing computer buttons…
I lost interest when you mentioned the word "file". There is no such reference in true black and white printing in the darkroom. Digital is killing the the "Art" in photography.
How does Ilford paper compare to Hahnemuehle paper?
Thanks for a great video Joe. Did you tell us the Nik code?
Thanks for the video! I started working with Black & Whites in photoshop and printing on my Canon Pixma Pro-100, this video was very helpful!
it's hard to find good information over the Internet, but you nail it!
well done.
after applying the gradient map, if you find your sky is too light or the clouds are lost you can duplicate the original layer then add a second gradient map using the fx layer, set the gradient to linear 90 and blending mode to overlay, then adjust opacity to the desired results, you can further adjust using the blending mode option and split the "blend if underlying layer" black and white points using alt+Click drag to get the desired result