• Home – Black Art and Keepsakes
  • Blog
  • Shop
  • About

Black Family Creations

African American Art & Custom Gifts

Visit our store MidnightVintage on Zazzle!
Customer Support: (888) 892-9953, M-F 9 am - 9 pm

You are here: Home / Art History / Ethan Michaeli, “The Defender: How The Legendary Black Newspaper Changed America” (Houghton Mifflin Harcourt, 2016)

in Art History

Ethan Michaeli, “The Defender: How The Legendary Black Newspaper Changed America” (Houghton Mifflin Harcourt, 2016)

Via http://newbooksnetwork.com/ethan-michaeli-the-defender-how-the-legendary-black-newspaper-changed-america-houghton-mifflin-harcourt-2016/

Famous and not so famous African-American artists have actually exquisitely shared representations of historical and modern events and individuals, cultural viewpoints, and the experiences and battles of minorities through their art work. This post highlights the critical work of Black artists who assisted to bring African-American experiences into the elite art world. The art captures historic and contemporary experiences. Some art captures race and gender relations. Black magics as a movement speaks directly to the requirements and aspirations of Black America. The Black artist speaks with the spiritual and cultural requirements of Black individuals in their artistry.

The professionals of Black arts are encouraged by a desire to challenge white power structures and assert an African American cultural identity. Black arts aim to serve the neighborhood and artists.

In his new book The Defender: How The Legendary Black Newspaper Changed America (Houghton Mifflin Harcourt, 2016), Ethan Michaeli charts the riveting history of the Chicago Defender, one of the nation’s longest running and most significant black periodicals.
Founded…

Black artists stress racial pride, a gratitude of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each period, events of the day galvanize black artists to produce, arrange, and transform the world.

Filed Under: Art History

« LaShawn Harris, “Sex Workers, Psychics and Number Runners: Black Women in New York City’s Underground Economy” (U. of Illinois Press, 2016)
If Not for the Public Outcry: The Tuskegee Syphilis Project/ Study »

Departments

  • Art History
  • Art Prints
  • Art Videos
  • General
  • Privacy
  • Terms
  • Contact Us

Copyright © 2025 · Market theme by Restored 316