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You are here: Home / Art History / Gregory O’Malley, “Final Passages: The Intercolonial Slave Trade of British America, 1619-1807” (UNC Press for the Omohundro Institute, 2014)

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Gregory O’Malley, “Final Passages: The Intercolonial Slave Trade of British America, 1619-1807” (UNC Press for the Omohundro Institute, 2014)

Via http://newbooksnetwork.com/gregory-omalley-final-passages-the-intercolonial-slave-trade-of-british-america-1619-1807-unc-press-for-the-omohundro-institute-2014/

This short article highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a movement speaks straight to the requirements and aspirations of Black America. The Black artist speaks to the spiritual and cultural requirements of Black individuals in their artistry.

African-American arts represent a cultural motion. It includes many visual artists, efficiency artists, carvers, writers, artists, and more. The practitioners of Black arts are inspired by a desire to confront white class structure and assert an African American cultural identity. Black arts aim to serve the community and artists.

Gregory E. O’Malley examines a crucial, but almost universally overlooked, aspect of the African slave trade in his new book Final Passages: The Intercolonial Slave Trade of British America, 1619-1807 (University of North Carolina Press for the Omohundro Institute, 2014).…

Black artists highlight racial pride, an appreciation of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each period, events of the day galvanize black artists to create, arrange, and transform the world.

Filed Under: Art History

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