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You are here: Home / Art History / Neil Roberts, “Freedom as Marronage” (U of Chicago Press, 2015)

in Art History

Neil Roberts, “Freedom as Marronage” (U of Chicago Press, 2015)

Via http://newbooksnetwork.com/neil-roberts-freedom-as-marronage-u-of-chicago-press-2015/

This article highlights the pivotal work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a motion speaks directly to the needs and goals of Black America. The Black artist speaks to the spiritual and cultural needs of Black people in their artistry.

The specialists of Black arts are motivated by a desire to confront white power structures and assert an African American cultural identity. Black arts intend to serve the community and artists.

What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book…

Black artists highlight racial pride, a gratitude of African heritage, and a commitment to produce works that show the culture and experiences of black individuals. In each period, occasions of the day galvanize black artists to produce, organize, and transform the world.

Filed Under: Art History

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