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You are here: Home / Art History / Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017)

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Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017)

Via http://newbooksnetwork.com/stanley-corkin-connecting-the-wire-race-space-and-postindustrial-baltimore-u-texas-press-2017/

Famous and not so popular African-American artists have exquisitely shared representations of modern and historic occasions and people, cultural point of views, and the experiences and struggles of minorities through their artwork. This article highlights the critical work of Black artists who assisted to bring African-American experiences into the elite art world. The art captures historical and contemporary experiences. Some art catches race and gender relations. Witchcrafts as a motion speaks directly to the requirements and goals of Black America. The Black artist speaks to the cultural and spiritual needs of Black individuals in their artistry.

The specialists of Black arts are motivated by a desire to challenge white power structures and assert an African American cultural identity. Black arts aim to serve the neighborhood and artists.

Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (20022008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of…

Black artists highlight racial pride, an appreciation of African heritage, and a commitment to produce works that reflect the culture and experiences of black people. In each era, occasions of the day galvanize black artists to develop, arrange, and transform the world.

Filed Under: Art History

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