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You are here: Home / Art History / Sylvester Johnson, “African American Religions, 1500-2000: Colonialism, Democracy, and Freedom” (Cambridge UP, 2015)

in Art History

Sylvester Johnson, “African American Religions, 1500-2000: Colonialism, Democracy, and Freedom” (Cambridge UP, 2015)

Via http://newbooksnetwork.com/sylvester-johnson-african-american-religions-1500-2000-colonialism-democracy-and-freedom-cambridge-up-2015/

This article highlights the critical work of Black artists who helped to bring African-American experiences into the elite art world. Black Arts as a motion speaks directly to the needs and aspirations of Black America. The Black artist speaks to the spiritual and cultural requirements of Black individuals in their artistry.

African-American arts represent a cultural motion. It consists of numerous visual artists, performance artists, carvers, authors, artists, and more. The specialists of Black arts are inspired by a desire to challenge white class structure and assert an African American cultural identity. Black arts intend to serve the community and artists.

When and where do African American religions begin? Sylvester Johnson, Associate Professor of African American Studies and Religious Studies at Northwestern University, disrupts the traditional temporal and geographical boundaries in the academic study of black religion in the Americas…

Black artists highlight racial pride, a gratitude of African heritage, and a dedication to produce works that show the culture and experiences of black individuals. In each era, occasions of the day galvanize black artists to develop, organize, and change the world.

Filed Under: Art History

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