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You are here: Home / Art History / The Fiddler who Charmed Missouri

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The Fiddler who Charmed Missouri

Via https://play.podtrac.com/APM-HistoricallyBlack/play.publicradio.org/rss/d/podcast/apmreports/historicallyblack/2016/10/10/historicallyblack4_128.mp3

Famous and not so popular African-American artists have exceptionally shared portrayals of historical and contemporary individuals and occasions, cultural viewpoints, and the experiences and struggles of minorities through their art work. This article highlights the pivotal work of Black artists who assisted to bring African-American experiences into the elite art world. The art captures contemporary and historic experiences. Some art captures race and gender relations. Witchcrafts as a movement speaks straight to the requirements and aspirations of Black America. The Black artist speaks to the spiritual and cultural requirements of Black individuals in their artistry.

African-American arts represent a cultural movement. It consists of numerous visual artists, efficiency artists, carvers, authors, musicians, and more. The professionals of Black arts are encouraged by a desire to face white power structures and assert an African American cultural identity. Black magics intend to serve the neighborhood and artists.

A young musician and actor discovers that his great, great grandfather was Bill Driver, a celebrated fiddler in Missouri. Family members recall how his fiddle playing often brought blacks and whites together at country dances and fiddle contests, and describe his legacy today. The family’s story also highlights the complicated nature of inter-racial mixing in the Jim Crow era.

Black artists highlight racial pride, an appreciation of African heritage, and a dedication to produce works that show the culture and experiences of black people. In each period, events of the day galvanize black artists to create, arrange, and change the world.

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